"Anything you do, let it come from you, then it will be new. Give us more to see."

—Dot, Sunday in the Park with George

In 1884, George Seurat painted a masterpiece by holding fast to his personal vision and disregarding everything (and everybody) else. Celebrated as a genius today, he died alone, without having ever sold a single canvas. A century later, another artist named George is adrift, despite great success. Accomplished and desired, he’s lost touch with his inspiration—why, he wonders, does he make art at all? In today's culture of success and celebrity, Sondheim and Lapine's landmark musical poses a fundamental question about the "art of making art": how can an artist both stay true to himself and share his vision with the world?